Rolling Stones: Hot Rocks 1 (London)

Just what the name says.
User avatar
JWB
Posts: 440
Joined: Sat Mar 05, 2005 2:12 am

Rolling Stones: Hot Rocks 1 (London)

Postby JWB » Fri Apr 08, 2005 3:27 pm

Luke -

Your page says that the 02 matrix with the banner is good and the 03 matrix without the banner is bad.

What about a 01 matrix without a banner?

User avatar
Xenu
Sellout
Posts: 2209
Joined: Mon Apr 07, 2003 8:15 pm

Postby Xenu » Fri Apr 08, 2005 3:31 pm

I've never seen one without the banner that's been the "good" version.
-------------
"Fuckin' Koreans" - Reno 911

User avatar
JWB
Posts: 440
Joined: Sat Mar 05, 2005 2:12 am

Postby JWB » Fri Apr 08, 2005 3:45 pm

I guess I'll pass then.

User avatar
dudelsack
Posts: 351
Joined: Sat Oct 23, 2004 3:51 pm

Postby dudelsack » Fri Apr 08, 2005 4:33 pm

01? I think I've got the 01 version and it sounds good, but I don't know what to make of the packaging...

Ess Ay Cee Dee
Posts: 1458
Joined: Wed Sep 08, 2004 1:35 pm
Contact:

Postby Ess Ay Cee Dee » Fri Apr 08, 2005 4:51 pm

nt
Last edited by Ess Ay Cee Dee on Sun May 01, 2005 8:26 pm, edited 1 time in total.

User avatar
lukpac
Top Dog and Sellout
Posts: 4592
Joined: Wed Apr 02, 2003 11:51 pm
Location: Madison, WI
Contact:

Postby lukpac » Fri Apr 08, 2005 9:19 pm

The fade-ups, yeah.

I don't *think* the Japanese version is quite a digital clone, but it doesn't have the fade-ups.
"I know because it is impossible for a tape to hold the compression levels of these treble boosted MFSL's like Something/Anything. The metal particulate on the tape would shatter and all you'd hear is distortion if even that." - VD

Ess Ay Cee Dee
Posts: 1458
Joined: Wed Sep 08, 2004 1:35 pm
Contact:

Postby Ess Ay Cee Dee » Fri Apr 08, 2005 10:34 pm

nt
Last edited by Ess Ay Cee Dee on Sun May 01, 2005 8:27 pm, edited 1 time in total.

User avatar
lukpac
Top Dog and Sellout
Posts: 4592
Joined: Wed Apr 02, 2003 11:51 pm
Location: Madison, WI
Contact:

Postby lukpac » Fri Apr 08, 2005 10:57 pm

My *guess* is it was "remastered" using an in-house system of Polygram's of some sort. The Polydor Who's Next has the same problem. Apparently somebody thought that was a good idea.

It's really bad on Satisfaction, IIRC.

No idea why it wasn't done for all the CDs.
"I know because it is impossible for a tape to hold the compression levels of these treble boosted MFSL's like Something/Anything. The metal particulate on the tape would shatter and all you'd hear is distortion if even that." - VD

Andreas
Posts: 535
Joined: Wed Jan 07, 2004 2:41 am

Postby Andreas » Sat Apr 09, 2005 2:26 am

Ruby Tuesday also fades out to a very low volume early on the "bad" CD. (The total length is the same.)

My "good" CD looks like that:
http://home.arcor.de/folon2/stones_hotrocks1.jpg
http://home.arcor.de/folon2/stones_hotrocks1_b.jpg
(Actually there is "BA 900" printed on the back cover of my CD, contrary to this picture.)
http://home.arcor.de/folon2/stones_london_logo_old.jpg

My "bad" CD has no "digitally remastered" banner, the track lengths are listed on the back cover, and the logo looks like this on the disc:
http://home.arcor.de/folon2/stones_london_logo_new.jpg
Last edited by Andreas on Sat Apr 09, 2005 10:20 am, edited 1 time in total.

User avatar
dudelsack
Posts: 351
Joined: Sat Oct 23, 2004 3:51 pm

Postby dudelsack » Sat Apr 09, 2005 9:03 am

Mine looks just like Andreas'. 01 matrix. I have a Japanese copy, POCD-1927, that appears to have all the same funky stereo tracks as the 01 matrix West German does. Don't know if it's a digital clone (I had assumed so).

User avatar
lukpac
Top Dog and Sellout
Posts: 4592
Joined: Wed Apr 02, 2003 11:51 pm
Location: Madison, WI
Contact:

Postby lukpac » Sat Apr 09, 2005 9:21 am

As linked in the FAQ, this is the best source I've seen:

http://home.arcor.de/folon2/stones_london_cds.html

I (still!) don't have a "Digitally Remastered" HR1, just a POCD version. I *do* have both a "Digitially Remastered" Aftermath (albeit a CD-R) and a Japanese P25L version (which is actually identical to the P33L - the matrix info actually says P33L). Those are slightly different. IIRC, the hiss on the German one doesn't fade between tracks, or there's more of it, or something, while it does on the Japanese. I think the levels might be ever so slightly different too - it's been a while.
"I know because it is impossible for a tape to hold the compression levels of these treble boosted MFSL's like Something/Anything. The metal particulate on the tape would shatter and all you'd hear is distortion if even that." - VD

User avatar
Xenu
Sellout
Posts: 2209
Joined: Mon Apr 07, 2003 8:15 pm

Postby Xenu » Sat Apr 09, 2005 1:45 pm

They're still derived from each other, though: I'm pretty sure I tested that way back when.
-------------

"Fuckin' Koreans" - Reno 911

User avatar
dudelsack
Posts: 351
Joined: Sat Oct 23, 2004 3:51 pm

Postby dudelsack » Sat Apr 09, 2005 2:11 pm

That would make sense, I don't know where else they would have come up with the wierd stereo stuff.
At some point I'll have to FLAC my collection of 01 matrices/banner discs. I heard that it varies from title to title if the MoFi mastering was retained on later pressings. Not sure if I can FLAC my HR1, though, given how absolutely beat up it is.

The only later pressing I have experience with was Between the Buttons...the sans serif London logo disc sounded the same as the serif (older) one with a banner.

User avatar
JWB
Posts: 440
Joined: Sat Mar 05, 2005 2:12 am

Postby JWB » Sat Apr 09, 2005 11:58 pm

So are "Aftermath" and "Between The Buttons" the same on all pressings of the West German and French discs? I have a West German 4th pressing of "Buttons" and a French 2nd pressing of "Aftermath".

User avatar
Xenu
Sellout
Posts: 2209
Joined: Mon Apr 07, 2003 8:15 pm

Postby Xenu » Sun Apr 10, 2005 12:10 am

I think. Some tracks I ABed were the same. The fade-ups only affected some discs.
-------------

"Fuckin' Koreans" - Reno 911