Since you're the only person I've ever talked to that actually has one of these things, I think it's time for questions...
You've said that certain records that are damaged beyond belief play perfectly on the ELP. By "damaged", do you mean worn grooves, lots of surface noise, lots of pops, or all of the above?
As far as surface noise goes, how would you say it compares to standard turntables? By this I don't mean pops, but rather that underlying bed of noise present at some level on all LPs. On my system, some (very few) LPs are *very* quiet, but most have an annoying level of noise, present mainly in quiet passages and between songs.
How well does it play through clicks/pops?
Could you, at some point, post brief samples of some vinyl transferred on both a regular turntable and the ELP?
And I do have some vinyl here that I wouldn't mind having transferred;)
Laser Turntable Questions for feinstein
- lukpac
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Laser Turntable Questions for feinstein
"I know because it is impossible for a tape to hold the compression levels of these treble boosted MFSL's like Something/Anything. The metal particulate on the tape would shatter and all you'd hear is distortion if even that." - VD
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Re: Laser Turntable Questions for feinstein
lukpac wrote:
And I do have some vinyl here that I wouldn't mind having transferred;)
I have some vinyl there too that I wouldn't mind having transferred.
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I'm quite familiar with click/noise reduction. I use click reduction all the time. Still, though, the better source you having coming in the better result you'll have coming out.
"I know because it is impossible for a tape to hold the compression levels of these treble boosted MFSL's like Something/Anything. The metal particulate on the tape would shatter and all you'd hear is distortion if even that." - VD
Luke, what you really want is that atomic stylus that those guys in England used to restore some old recordings
"I recommend that you delete the Rancid Snakepit" - Grant