Tales From The Who/Philly/Largo
Posted: Wed Dec 05, 2007 12:54 pm
Since this board is 90% Who according to Mr. Hunte...
Wolfgang's has what (they claim) are the '73 Philly and Largo shows, nearly in their entirety:
The Who, Spectrum, Philadelphia, PA 12/04/1973
The Who, Center Largo, MD 12/06/1973
I'm not an expert on these shows, but Roger does say "Philly" at least once during the show listed as such. And then there's this and this:
Also interesting is they clearly have 16-track masters in their possession. Yet the shows posted sure seem taken from the same strange mixes that have always been around - mostly mono but with bits spread around here and there. If they have the masters, how did VFABP come about?
Wolfgang's has what (they claim) are the '73 Philly and Largo shows, nearly in their entirety:
The Who, Spectrum, Philadelphia, PA 12/04/1973
The Who, Center Largo, MD 12/06/1973
I'm not an expert on these shows, but Roger does say "Philly" at least once during the show listed as such. And then there's this and this:
As many of you already know, we've had a show up on the Vault for a while now from The Who identified as the Philadelphia 12/4/73 show. A few Vault regulars have stated in a separate forum thread that at least some tracks from this show are actually from The Who's 12/6/73 show at the Capital Center in Largo, MD, and they are correct. What has been on the Vault was an amalgam that was created for a single King Biscuit Flower Hour radio broadcast.
[...]
Now to the puzzle. It is well documented that The Who played in Boston on 12/3, Philadelphia on 12/4, and Largo, MD on 12/5. It is also well documented that the latter two shows were recorded for the King Biscuit Flower Hour. In fact you can hear the band mention "Philadelphia" several times during the 12/4 show on the Concert Vault.
Imagine our surprise, when we found the reels for the Philadelphia show, that they are all marked 12/3, not 12/4. They are marked consistently this way, and the studio engineer comments that are captured on tape also reference 12/3. We have included a few images of the tape boxes below.
Also interesting is they clearly have 16-track masters in their possession. Yet the shows posted sure seem taken from the same strange mixes that have always been around - mostly mono but with bits spread around here and there. If they have the masters, how did VFABP come about?