Ron wrote:Ed Bishop wrote:While Astley's mastering leaves a lot to be desired, his worst offense to date--IMO--is using a few rechanneled tapes for the 2-CD Them compilation of several years back. That is simply inexcusable, the moreso because I have an import vinyl(Germany)from the early '80s that has everything in flat mono. Someone didn't do their tape research very well....on the plus side, that comp also gathers together plenty of stereo, some of it scattered on various vinyl over the years....you win a few, you lose a few.
We've discussed that comp before, Ed. Do you get the feeling that the songs have been compressed/maxed a bit as compared to the earlier London/Polygram issues? Oh. And do you think the Seeds SACD will ever *really* see the light of day? Oops. Answered elsewhere. Please ignore the Seeds bit.
Okay, I posted another Seeds response. While you go read that one, Ron, I'll finish this one off.
OF COURSE THEY BEEN FUCKED WITH!! It's the only thing Astley understands....not everything he's done is 'bad' but nothing he's done that I've heard makes me jump for joy...the ear-burning work on the ABBA remasters....Good God...and the ruination of sound on the DVD of the videos, Jesus.....
To my ears, the compression and maxing of mono is a far worse crime than anything generally done to vintage stereo tapes. Fact is, mono doesn't need much anything....at worst, he should have done a little NR, if he felt he had to, but no more. Truth is, it's a spotty collection and, as noted, the only saving grace of Them is the stereo....the rest of it sucks, plain and simple. What the 5.1 TOMMY will sound like is a horrifying prospect....but, to be fair, allowances for that kind of remix must be made, whereas a needless stereo remix is just bullshit. I don't care what anybody says, Lambert's original 1969 mix is just fine.
As for Astley...while I like the extra stuff on SELL OUT, I would only suggest this for comparison purposes: listen to "Tattoo" on the Astley remaster, then the old MCA CD with the original mix. The sound on the redo is all wrong; the life has been taken out of the recording...it's something easier to hear than to explain. The fact is, Steve has always had a fair point about remixes: the 'fairy dust'
usually(my word and emphasis) happens the first time; after that, something has changed, usually not for the better aesthetically, even if more clarity is evident(5.1 is a different animal and must be judged with a different set of criteria). There is much to be said at times for the natural murk or limitations of many older recordings. My belief has always been that the original stereo tape, unless it's so fucked it's beyond help, should be left as is, unless it's so screwy a mix something
should be done to make sense of it(Dobie Gray comes to mind--that DOES need help!)
ED

When remixing vintage tapes, imagine you are back in the time those recordings were made, and mix accordingly. forget Today's Sound Sensibilities....