Note that this is a mp3. I don't think lossless versions have circlated. Sounds like it runs a little slow. Otherwise quality is excellent. Amazing to finally hear it after all these years but it probably won't be something I reach for too often.
http://www.yousendit.com/transfer.php?a ... R0ozZUE9PQ
Revolution 1 - unedited 11:35 version
Revolution 1 - unedited 11:35 version
"I've had 40 years experience with hearing tape and vinyl. I was recording tapes before you were born" - Grant
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Re: Revolution 1 - unedited 11:35 version
"The download limit has been reached for this file. Please contact the sender and ask them to resend the file."
"I know because it is impossible for a tape to hold the compression levels of these treble boosted MFSL's like Something/Anything. The metal particulate on the tape would shatter and all you'd hear is distortion if even that." - VD
Re: Revolution 1 - unedited 11:35 version
"I've had 40 years experience with hearing tape and vinyl. I was recording tapes before you were born" - Grant
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Re: Revolution 1 - unedited 11:35 version
This really wets my appetite for the 27 minute Helter Skelter...
FWIW, according to Lewisohn, there was only a single remix from take 20 (on 6/4/68), and it was taken away by John Lennon. Barrett's notes don't even have a tape number assigned, just "(MONO REMIX OF REVOLUTION TAKEN)". So this came from Lennon?
No, "Ok, I've had enough!"...

FWIW, according to Lewisohn, there was only a single remix from take 20 (on 6/4/68), and it was taken away by John Lennon. Barrett's notes don't even have a tape number assigned, just "(MONO REMIX OF REVOLUTION TAKEN)". So this came from Lennon?
No, "Ok, I've had enough!"...
"I know because it is impossible for a tape to hold the compression levels of these treble boosted MFSL's like Something/Anything. The metal particulate on the tape would shatter and all you'd hear is distortion if even that." - VD
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Re: Revolution 1 - unedited 11:35 version
lukpac wrote:This really wets my appetite for the 27 minute Helter Skelter...![]()
FWIW, according to Lewisohn, there was only a single remix from take 20 (on 6/4/68), and it was taken away by John Lennon. Barrett's notes don't even have a tape number assigned, just "(MONO REMIX OF REVOLUTION TAKEN)". So this came from Lennon?
No, "Ok, I've had enough!"...
I think it does come from a tape John had at his house. Maybe the people that worked on the Lost Lennon Tapes made a copy..
"I've had 40 years experience with hearing tape and vinyl. I was recording tapes before you were born" - Grant
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Re: Revolution 1 - unedited 11:35 version
Am I the only one that has never understood Lewisohn's explanation of the beginning of the song?
I've always heard it as something along with lines of "ah, take 2".
Mark Lewisohn wrote:It began so soon after the previous take that Geoff Emerick, in punching the talkback button simultaneously with the start of the song, announced "Take 18" over John Lennon's vocal, the first take with vocals, in fact. John deliberately kept Emerick's words as part of the song and thus they appear on the album.
I've always heard it as something along with lines of "ah, take 2".
"I know because it is impossible for a tape to hold the compression levels of these treble boosted MFSL's like Something/Anything. The metal particulate on the tape would shatter and all you'd hear is distortion if even that." - VD
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Re: Revolution 1 - unedited 11:35 version
For what it's worth, some kind soul posted the new 2 cd HMC Lennon box in alt.binaires.sounds.lossless.beatles.
-Matt
Re: Revolution 1 - unedited 11:35 version
It's funny how people everywhere are questioning the authenticity of this track. I mean, how fucking stupid can you be?
Re: Revolution 1 - unedited 11:35 version
lukpac wrote:Am I the only one that has never understood Lewisohn's explanation of the beginning of the song?Mark Lewisohn wrote:It began so soon after the previous take that Geoff Emerick, in punching the talkback button simultaneously with the start of the song, announced "Take 18" over John Lennon's vocal, the first take with vocals, in fact. John deliberately kept Emerick's words as part of the song and thus they appear on the album.
I've always heard it as something along with lines of "ah, take 2".
I can remember that Christmas morning in '68 me playing that side of the White Album, and hearing this odd version of the song....like it was yesterday. Isn't that such a great groove it settles into!