Out of curiosity, I recently picked up a few Todd Rundgren efforts from the library: Something/Anything? (have it on LP, but never listen to it), the Anthology, and Wizard/True Star.
...
Is it just me, or does everything the man touches sound like a lo-fi demo pulled from a beat-up LP? I finally understand my semi-aversion to the sound on "Skylarking," the sort of squishy, super-compressed sheen. Heck, what IS it? What *is* he doing to make his records sound so odd?
Todd Rundgren's production style
Todd Rundgren's production style
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"Fuckin' Koreans" - Reno 911
"Fuckin' Koreans" - Reno 911
- lukpac
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Lots of EQ, I'm told.
I love the album for what it is, but I'd sure love to hear a remix of Straight Up.
I love the album for what it is, but I'd sure love to hear a remix of Straight Up.
"I know because it is impossible for a tape to hold the compression levels of these treble boosted MFSL's like Something/Anything. The metal particulate on the tape would shatter and all you'd hear is distortion if even that." - VD
I agree with the boy wonder label...his one-man-band efforts are more impressive in a cohesive sense than McCartney's, and while I'm not personally enamored of his compositional style it's quite obvious that he's exceptionally talented. I just don't know why everything from those two albums sounds like a particularly poorly-recorded demo.
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"Fuckin' Koreans" - Reno 911
"Fuckin' Koreans" - Reno 911